Showing posts with label Animation. Show all posts
Showing posts with label Animation. Show all posts

Drawing Cutting Edge Anatomy-the ultimate guide for comic book


A good understanding of anatomy is essential for any comic artist, and while this is not the most comprehensive or accurate anatomy references I've seen - the 'Ultimate Reference Guide' subtitle is not appropriate - Hart's book will be a boon to young cartoonists by making anatomy relevant to their interests. Best suited to those who already have some experience in drawing, as it assumes some understanding of drawing and representing three-dimensional form.

Pros

  • Relates anatomy directly to cartooning.
  • Several contributing artists add a variety of styles.
  • Friendly, chatty style, and more pictures than text.
  • bonus Interviews with Marvel and Dark Horse editors

Cons

  • misses some key points, such as constructing the nose
  • outline style sometimes 'flattens' forms
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The Animator's Survival Kit-For Animators


This is the one book every animator should have on their desk - whether they work in film, computer graphics or video game animation. Richard Williams is the pre-eminent figure in motion picture animation, and he has forged a reputation as an outstanding teacher as well as a top practitioner. In recent years, the Academy Award for animation effects has been virtually guaranteed to go to a student of Richard Williams, whether the movie in question is Toy Story or Star Wars: The Phantom Menace.

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Cartoon Animation by preston Blair



The Collector’s Series books offer a selection of popular projects form best-selling titles in the How to Draw and Paint series. The Collectors Series books cover fundamentals and explore the techniques of featured artists. Each title provides in-depth instruction and numerous illustrations. All are perfect for the coffee table or reference library.

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Animated Man-A Life of Walt Disney



Walt Disney (1901-1966) was one of the most significant creative forces of the twentieth century, a man who made a lasting impact on the art of the animated film, the history of American business, and the evolution of twentieth-century American culture. He was both a creative visionary and a dynamic entrepreneur, roles whose demands he often could not reconcile.
In his compelling new biography, noted animation historian Michael Barrier avoids the well-traveled paths of previous biographers, who have tended to portray a blemish-free Disney or to indulge in lurid speculation. Instead, he takes the full measure of the man in his many aspects. A consummate storyteller, Barrier describes how Disney transformed himself from Midwestern farm boy to scrambling young businessman to pioneering artist and, finally, to entrepreneur on a grand scale. Barrier describes in absorbing detail how Disney synchronized sound with animation in Steamboat Willie; created in Snow White and the Seven Dwarfs sympathetic cartoon characters whose appeal rivaled that of the best live-action performers; grasped television's true potential as an unparalleled promotional device; and--not least--parlayed a backyard railroad into the Disneyland juggernaut.
Based on decades of painstaking research in the Disney studio's archives and dozens of public and private archives in the United States and Europe, The Animated Man offers freshly documented and illuminating accounts of Disney's childhood and young adulthood in rural Missouri and Kansas City. It sheds new light on such crucial episodes in Disney's life as the devastating 1941 strike at his studio, when his ambitions as artist and entrepreneur first came into serious conflict.
Beginning in 1969, two and a half years after Disney's death, Barrier recorded long interviews with more than 150 people who worked alongside Disney, some as early as 1922. Now almost all deceased, only a few were ever interviewed for other books. Barrier juxtaposes Disney's own recollections against the memories of those other players to great effect. What emerges is a portrait of Walt Disney as a flawed but fascinating artist, one whose imaginative leaps allowed him to vault ahead of the competition and produce work that even today commands the attention of audiences worldwide.


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